EAST-WEST DIALOGUE, 23. November 2018–06. Oktober 2019.
The silk road of yesteryear is undergoing a revival in a global world. The Viennese Modernism of the beginning of the previous century is unthinkable without Japonism. As Adolf Loos put it: Modern architecture is Japanese culture plus European tradition.
Rudolf Steiner laid the groundwork with his East-West Congress in Vienna. Building upon this, Joseph Beuys realised the concept of Eurasia in objects, with the shepherd’s staff serving as one of its symbols. The pen and ink art of the Zen masters and the Art Informel characteristics of ceramic surfaces represent major precursors to the art of the West. The reduction to the simplest form, to the object, is one of the foundations of the artistic statements of Marcel Duchamp, and a reflection of the philosophy and artistic composition of the East. (J. Hummel)
Works of Asian Art
Joseph Beuys, Günter Brus, John Cage, Jean-Baptiste Camille Corot, Marcel Duchamp, Max Ernst, Heinz Frank, Franz Graf, Josef Hoffmann, Kurt Kren, Bertold Löffler, Erich Mallina, Adolphe Monticelli, Otto Muehl, Bruce Nauman, Hermann Nitsch, Nam June Paik, Arnulf Rainer, Man Ray, Katharina Razumovsky, Thomas Redl, Song Jing, Rudi Stanzel, Leopold Stolba, Franz West, Heimo Zobernig
Contributor to the exhibition Komödie des Daseins, Kunsthaus Zug, 23. September 2018–06. Jänner 2019.
Contributor to the exhibition Franz West, Centre Pompidou, Paris, 12. September–10. Dezember 2018.
Contributor to the exhibition Wagner, Hoffmann, Loos und das Möbeldesign der Wiener Moderne, Hofmobilien Depot, Vienna, 21. März–07. Oktober 2018.
Contributor to the exhibition Man Ray, Kunstforum, Vienna, 14. Februar–24. Juni 2018.
2017
ZEIT UND FORM, 19. October 2017–23. September 2018.
The sensitivity of artists responds to the period of time they live in. Cultural environment and politics ask for a new stylistic vocabulary and use of forms, which challenges the innovative ability of the artist. For the next generation these artistic achievements are a documentation of the previous past. Technology and the urge to let times move at a faster pace were the priorities of the 20th century. From Es and Über-Ich (Super-Ego) of the human psyche to the dawn of mankind into space. Electronics and the computer are the big challenges of our time. Das menschliche Tun ist dem menschlichen Sein davongelaufen. (F. Dürrenmatt)
Marcel Duchamp elevated the act of thinking to an art form. Essential parts of todays art are not imaginable without Duchamps innovation of his Ready-mades. Joseph Beuys expanded this basis into the social-ethical, into the politics of art. Todays innovative artistic work shows also a manneristic component. With postmodernism, lifestyle and design, entertainment value gets a new importance. The clown steps into the art scene. (J. Hummel)
Man Ray Obstruction, Repro Tate Modern London, 1920. Photo: Barbara Kauba
With artworks by: Joseph Beuys, Marcel Duchamp, Paul McCarthy, Mario Merz, Man Ray, Gerrit Rietveld, Ben Vautier, Andy Warhol
A selection of Austrian artists: Heinz Frank, Bruno Gironcoli, Josef Hoffmann, Hermann Nitsch, Arnulf Rainer, Claudia Schumann, Richard Teschner, Franz West, Heimo Zobernig
We were taking part as essential lenders in an exhibition about the architect Adolf Loos at the Museo del Disseny (Design Museum) in Barcelona. The title of the exhibition is Private Spaces and shows the work of Adolf Loos, who designed his architecture beyond his Raumplan (floorplan) from the inside to the outside.
Whereas his priority lay in the independent decision of his clients. The furniture he choose was influenced by anglophil furniture-designs and didn´t change essentially over a period of 30 years. His statement: it is easier to design a new chair than a better one affirms this fundamental concept. The variations of the furniture according to the particular users resulted in different settings in the interior, as todays postmodernism already considers it as given.
Cover of the invitation, Adolf Loos. Private Spaces, 2017/18
Contributor to the exhibition Remastered – Die Kunst der Aneignung, Kunsthalle, Krems, 26. November 2017–18. Februar 2018.
Contributor to the exhibition Dali / Duchamp, Royal Academy, London, 07. Oktober 2017–03. Jänner 2018, Dali Museum, St. Petersburg, Florida, 10. Februar–27. Mai 2018.
2016
Concert Informel, 17th of November 2016, with Jazz musician Franz Koglmann und cellist Attila Pastor, on occasion of vienna artweek.
Franz West, Hans Kupelwieser, o.T., 27 x 20 cm, 1983
KOERPER II, 15 April–2 July 2016.
Arnulf Rainer, untitled, 2009
Günter Brus, Selbstbemalung I, 1964. Photo: Ludwig Hoffenreich
Franz Graf, Untitled, 2016
Contributor to the exhibition Prière de toucher, at the Tinguely Museum, Basel, 12 February–16 May 2016.
Gallery Hummel: opening, Priere de toucher, Tinguely Museum, 2016
Gallery Hummel: opening, ExistenzFest, Villa Stuck, 2016
2015
Concert LE VIOLON D’INGRES, 19th of Novenber 2015.
An improvisation with Clementine Gasser & Freddie Jellinek within the framework of the exhibition NATURE and FORM and in cooperation with vienna art week 2015. An acoustic musical performance, in which we will let us inspire by the artworks of the exhibition. With a cello and a cornet, we will follow in the footsteps of Marcel Duchamp..
Motive: Concert Invitation, Gallery Hummel: Man Ray, Le Violon d' Ingres
NATURE and FORM, 18 September–19 December 2015.
To contemplate on nature is one of the most primal stimulations of the human spirit and its creative urge is a prerequisite for the arts. Art is what makes life more interesting than art. (Robert Filliou)
Marcel Duchamp, Self-Portrait in Profile, Collage, 1959
THE FACE – THE EYES – THE GLANCE, 19 March–27 June 2015.
From the inscrutability of the eyes of a Fayum mummy portrait to the expressiveness of a woman's face by Paul McCarthy, the representations of faces carries both the features of subjectivity as well as the imprints of its cultural environment. To embed the inner amplitude of a state of mind at a single glance has been a challenge to fine arts for many centuries.
Fayum mummy portrait, ca. 200 A.D.
Elke Krystufek, I am you and you are mine, 2001
2014
Curator's tour with Roland Fischer-Briand and Julius Hummel, 1 November 2014. In cooperation with Eyes On, Month of Photography 2014.
Man Ray: Tour / Detour, curated by Roland Fischer-Briand and Barbara Toifl, in cooperation with Eyes On, Month of Photography, 26 October–20 December 2014.
Man Ray established himself as a prominent representative of avant-garde photography in the modern era. His oeuvre moreover captured the surrealist mentality and that of his contemporary, Marcel Duchamp. Their shared belief in freeing the notion of desire and identity as blasting at societal convention also paved the way for Pierre Molinier to what could today be described as 'Gender Studies'. Emanating from the vehement act of liberation in Viennese Actionism, the avant-gardist of 'moving images' Kurt Kren, like Man Ray, inextricably unites the mentality of his artistic environment with his sense for the medium of photography.
Man Ray, The three graces, ca 1925, gelatin silver print of an air-brush painting from 1919, which remains missing
TRASH & ART. An Exhibition in Progress II, 16 May–25 June 2014.
Object: Gelitin, Three Sisters, 2013
Prize for best art fair stand at art-austria, April 2014.
art-austria art fair, 3–6 April 2014.
Initiation of a dialogue between two distinctly pronounced positions in the Austrian field of contemporary art. The clear aesthetics of Michael Kienzer’s sculptures, affected by their materiality of industrial raw products, structure and accentuate the space in which Franz Graf responds with new paintings and drawings though estranging intermingling figurative motives, text and ornament in black and white. This encounter reciprocally brings forward the subtle sensuality of Kienzer’s installations and the sometimes tragic Eros in Graf’s figurations.
Michael Kienzer, Haltung Vol.5, 2007
Franz Graf, Kreis, 2012
TRASH & ART An Exhibition in Progress I, 14 February–3 May 2014.
The visual arts have been helping themselves to the material ruins of our civilisation since, at the very latest, the dawn of Surrealism. This configuration has led to specific art forms: Realism, Fluxus and Conceptual Art. The tragic facade of consumption and the aesthetic of decay offers artists the opportunity to ask questions pertaining to meaning and being that can be expanded within installations and material assemblages. The use of trash and worthless found items is one of the most significant material associations of our time by which an idea can be elevated to art. (J. Hummel)
Cover of the invitation, Gallery Hummel: Otto Muehl, Gerümpelplastik, Vienna, Perinetgasse, 1962, together with A. Frohner and H. Nitsch
2013
GEFÜHLSPEICHER, 12 September–21 December 2013.
All art transfers feelings. Feelings are in general considered as interpretations of emotions towards circumstances or objects and emotions as an essential part of human existence. The selection showed artworks, through which specific retained feelings are offered to the viewer, whether in an abstract or a naturalistic manner.
Cover of the invitation, Gallery Hummel: Fanz Graf. Komm Lieber. Feuer fliesst mir im Haar, 2007
MEDITATIV, 15 February–30 June 2013.
A collection of objects from Asia and Europe. ... art is an outlet toward regions which are not ruled by time and space. (Marcel Duchamp) Das Spirituelle ist aus dem Osten gekommen und im Westen intellektualisiert, einseitig materialistisch geworden. (Joseph Beuys)
Cover of the invitation, Gallery Hummel: Yoko Ono, postcard, 1971
2012
Guided tour with Ruth Horak and Julius Hummel in cooperation with Vienna Art Week, 24 November 2012.
Extended exhibition on The Feminine in Viennese Actionism together with artistic positions of Heidi Harsieber and Claudia Schumann, 15 November 2012–26 January 2013. In cooperation with Eyes On, Month of Photography 2012.
Cover of the invitation, Gallery Hummel: Günter Brus, Aktion Ana, 1964. Photo S. Klein-Khasaq
Release of the publication AMOR PSYCHE AKTION – VIENNA. The Feminine in Viennese Actionism. Collection Hummel, Verlag für moderne Kunst, October 2012.
Cover Catalogue: AMOR PSYCHE AKTION – VIENNA
AMOR PSÝCHÉ AKCE – VÍDEŇ, 19 October 2012–14 January 2013.
An extensive exhibition, based on Julius Hummel´s collection shown at DOX, the Center for Contemporary Art in Prague.
Invitation, DOX, 2012
ASSOZISATIONEN, 25 May–21 July 2012.
Cover of the invitation, Gallery Hummel, 2012
OBJECT & SCULPTURE II, February–27 April 2012.
Cover of the invitation, Gallery Hummel: Katharina Razumovsky, ASYL, 2012
2011
Object and Sculptur, 11 November 2011–21 January 2012.
Cover of the invitation, Gallery Hummel: Zaha Hadid, Ordrupgaard bench Mod. PP 995, 2005
(with the signiture by the participants of der Climate-Change Conference in Copenhagen 2009)
Rudi Stanzel, 9 September–22 October 2011.
Cover of the invitation, Gallery Hummel: Rudi Stanzel
Karl Iro Goldblat, 27 May–30 June 2011. Das Ganze und seine Teilchen (Karl Goldblat)
Cover of the invitation, Gallery Hummel: Atelier Goldblat, 2011
WORD-PICTURE, 18 February–30 April 2011.
Cover of the invitation, Gallery Hummel: Otto Muehl, Undergroundpanoroama Wien, 1969
Drawings Vienna II, 24–26 March 2011.
Gallerytour, 10 March 2011.
2010
WR MOEGEN UNSER GIFT, Franz Graf, 17 December–30 January 2011.
Cover of the invitation, Gallery Hummel: Franz Graf
Viennese Actionism and Austrian Photography, 10 September–4 December 2010.
Cover of the invitation, Gallery Hummel: Madame d'Ora, Untitled, slaughterhouse Paris, around 1950
FRANZ GRAF, 10 September–28 October 2010.
Cover of the invitation, Gallery Hummel: Franz Graf, Untitled, 2007
Drawings Vienna I, opening 15 April 2010.
Cover of the invitation, Gallery Hummel: Bruno Gironcoli, Draft for a poster for Gallery nächst St. Stephan, 1968/69
GENDER & QUEER, 29 January–27 March 2010.
Cover of the invitation, Gallery Hummel: Andy Warhol, out of the Index Book, 1967
2009
CHAOS and FORM, 18 September–21 November 2009 ... one must still have chaos in oneself to be able to give birth to a dancing star. (Friedrich Nietzsche)
Cover of the invitation, Gallery Hummel, 2009
DRESSED FOR ART, 5 March–June 2009.
Cover of the invitation, Gallery Hummel: Bruce Nauman, Clown Taking a Shit, 1988
2008
AN-SCHAUEN, 19 September–15 November 2008.
Cover of the invitation, Gallery Hummel: Elke Krystufek
Publication Release VIENNESE ACTIONISM, in cooperation with publisher Actar, 2008.
Cover of the publication Viennese Actionism. Günter Brus, Otto Muehl, Hermann Nitsch, Rudolf Schwarzkogler, Barcelona: Actar, 2008. 440 pages, Englisch.
Publication Release Günter Brus. Actionism. The Sixties, in cooperation with Groeninge Museum and publisher Actar, 2008.
Cover of the Publication Günter Brus. Actionism. The Sixties, Collection Hummel, Groeninge Museum, 2008. 197 pages.
PADHIFRIEBERGER, spring 2008.
Cover of the invitation, Gallery Hummel: Padhi Frieberger
2007
Kowanz / Graf, 2007.
Cover of the invitation, Gallery Hummel: Brigitte Kowanz, Franz Graf
2006
Das Öffnen und Schließen des Mundes 24 November 2006–27 January 2007. Daß wir vor kurzem erst zu sein begonnen haben, schmerzt keinen von uns; nur daß es zu Ende geht, ist schade. Diese begrenzte Dauer - solang mund geht auf und zu, solang luft geht aus und ein - ist unser Thema ... (Ernst Jandl)
Title and excerpt from the Frankfurter Poetik-Vorlesung. Luchterhand SL 567/1985, p.7.
Cover of the invitation, Gallery Hummel: Man Ray A l'heure de l'observatoire - les amoureux, Collection Clo Fleiss, Paris
Viennese Actionism. The Collection Hummel, 5 May–27 July 2006.
Exhibition at the Museum Moderner Kunst, Vienna.
Cover of the invitation, Gallery Hummel: MUMOK, 2006
Thomas Redl, 16 February–29 April 2006.
2005
Franz Graf, 21 October–17 December 2005.
Cover of the invitation, Gallery Hummel: Franz Graf
Artists of the Gallery – Wiener Innenstadt Gallerytour 2005.
Mit Haut und Haar, 1 April–2 July 2005.
Cover of the invitation, Gallery Hummel: Hedwig Krystufek / Franz Graf, Untitled, 1992
2004
Günter Brus. Aktionen 1964/65, 17 September–27 November 2004.
In cooperation with Monat der Fotografie 2004.
Otto Muehl, April 2004.
2003
Artists of the Gallery – Wiener Innenstadt Gallerytour, 6 November 2003.
art vienna 2003: Presentation Gallery Hummel, 16 October–19 October 2003, Annette Tesarek.
Cover of the invitation, Gallery Hummel: Canova / Arnulf Rainer
HEINZ FRANK, 28 March–10 May 2003.
Cover of the invitation, Gallery Hummel: Heinz Franz
2002
Artists from Los Angeles, extended with Heinz Frank, 10 November–21 December 2002.
Works by young artists from Los Angeles, 25 October–9 November 2002.
Curated by Hubert Schmalix.
Cover of the invitation, Gallery Hummel: 2002
Silentium, 25 April–30 July 2002.
2001
free delivery, 22 November–22 December 2001.
Cover of the invitation, Gallery Hummel: 2001
reiz.ende, 21 September–27 October 2001.
Cover of the invitation, Gallery Hummel: Brigit Jürgenssen Anonymes 3D-Photo, 1960s
FRUSTRATION / AGGRESSION, opening 23 March 2001.
Cover of the invitation, Gallery Hummel: 2001
2000
Marcel Duchamp: Collection Julius Hummel, 21 June–24 September 2000, Moravian Gallery, Brno, Czech Republic. 19th International Biennale of Graphic Design, Brno, 2000.
Cover of the invitation, Gallery Hummel: Marcel Duchamp, Bauche-Évier, 1964
1999
Grenzgang II, opening 11 June 1999.
Cover of the invitation, Gallery Hummel: 1999
Grenzgang, 24 March–May 1999.
Cover of the invitation, Gallery Hummel: Franz West, Untitled, 1983
1998
SCHRIFTSINN, opening 11 December 1998.
Cover of the invitation, Gallery Hummel: Andy Warhol, Caution, 1982
KURT KREN. Film Photography Viennese Aktionism, 7 April–31 May 1998 , New York / 10 September 1998, Vienna.
In association with Janos Gat Gallery, New York.
Cover of the invitation, Gallery Hummel: Kurt Kren, 1987, from Action Mama und Papa by Otto Muehl, 1964.
Publication Release Kurt Kren, Film, Photography Viennese Actionism, 1998.
Cover of the Publication Kurt Kren. Film Photography Viennese Actionism, Vienna, self-publishing, 1998
Hermann Nitsch, 80 Action 1984, opening 20 May 1998.
Cover of the invitation, Gallery Hummel: 1998
1997
DOMINIK STEIGER, 5 December 1997–31 January 1998.
Cover of the invitation, Gallery Hummel: Dominik Steiger, Collage, 1997, from Sinngummis a la Minute, Edition neue Texte, Literaturverlag Droschl
HEINZ CIBULKA, 16 October–9 November 1997.
Cover of the invitation, Gallery Hummel: Heinz Cibulka
PADHI – CHAOS, 18 April–31 May 1997.
Cover of the invitation, Gallery Hummel: Rea Red Rex
der endlose schatten geschlossener augen, Heinz Frank, 23 January–28 February 1997.
Cover of the invitation, Gallery Hummel: 1997
1996
Idea shapes, 1996.
Borders of Creativity, Mediumine Kunst, 1996.
Cover of the invitation, Gallery Hummel: 1996
Variety Is The Vice Of Life, 29 March–27 April 1996.
Cover of the invitation, Gallery Hummel: Man Ray, Les voies lactées, 1974
1995
Eros II. Photography by Marcel Duchamp, Man Ray, Body Art and Viennese Actionism, 13 October–25 November 1995.
Cover of the invitation, Gallery Hummel: Marcel Duchamp, 1963. Photo: Julian Wasser
Cross-section – 15 Years Gallery, 1995.
1994
Joseph Beuys in Vienna, Film – Photography – Text – Documentation, 14 October–26 November 1994.
Cover of the invitation, Gallery Hummel: Joseph Beuys, at the MAK in Vienna, 1983
Early Silkscreens – Attersee / Gironcoli / Muehl, opening 31 March 1994.
Cover of the invitation, Gallery Hummel: 1994. Graphic: W. Missauer
1993
Graphics by Marcel Duchamp and Joseph Beuys, 1993.
The Spirit of Visual Curiosity, 8 October–29 October 1993.
1992
Dialogue, 13 November–19 December 1992.
Cover of the invitation, Gallery Hummel: 1992
Endgame, 13 March–25 April 1992.
Cover of the invitation, Gallery Hummel: 1992
1991
Bodily Commitment, 8 November–21 December 1991.
Cover of the invitation, Gallery Hummel: Pierre Molinier, Le chaman, 1968
Live or Die, 1991.
Cover of the invitation, Gallery Hummel: Bruce Nauman, Live or Die
juxtapose, 27 September–26 October 1991.
Cover of the invitation, Gallery Hummel: 1991
Concrete - Automatism, 6 June–27 July 1991.
Cover of the invitation, Gallery Hummel: 1991
OSWALD OBERHUBER. The Object is the Subject, opening 11 April 1991.
Joseph Beuys en Viena, 21 February–10 March 1991, Casa de la Cultura / 25 March–14 April 1991, La Regenta Las Palmas de Gran Canaria.
Cover of the invitation, Gallery Hummel: Heidi Harsieber, depicted: Joseph Beuys
Women Photograph Men, opening 24 January 1991.
1990
Small Sculptures, autumn 1990.
Men, opening 19 September 1990.
Cover of the invitation, Gallery Hummel: A. Rosenberg, 1960, depicted: Marcel Duchamp
GERALD OBERSTEINER, New Sculptures, opening 24 May 1990.
Cover of the invitation, Gallery Hummel: Gerald Obersteiner
Painted Sculpture III, opening 23 March 1990.
Cover of the invitation, Gallery Hummel: Arnulf Rainer, Original Totenmaske (Raabe), painted cast, 1974
Painted Sculpture II, opening 19 January 1990.
1989
Painted Sculpture I, opening 23 November 1989.
WRITING AND CONTENT, opening 29 September 1989.
Cover of the invitation, Gallery Hummel: Marcel Duchamp, A regarder d'un oeil, de près, pendant presque une heure
1988
STRUCTURE, opening 9 November 1988.
Cover of the invitation, Gallery Hummel: Dominik Steiger, 1974
Circle, J. Beuys, 1988
Cover of the invitation, Gallery Hummel: Joseph Beuys, Action MANRESA, 15 December 1966
Rainer–Fendi "Pseudlogica", 5 May–July 1988.
Cover of the invitation, Gallery Hummel: Arnulf Rainer
BODIES, opening 12 February 1988.
Cover of the invitation, Gallery Hummel: Franz West, 1977
1987
Art + Weaving, opening 17 December 1987.
Cover of the invitation, Gallery Hummel: textil, Ndengese, Kuba Kingdom, Africa
Rudi Stanzel, 1987.
Heinz Frank, opening 5 June 1987.
Cover of the invitation, Gallery Hummel: Heinz Frank
L. W. Rochowanski, opening 26 March 1987.
Cover of the invitation, Gallery Hummel: L. W. Rochowanski, Untitled, 1923
1986
Obersteiner, 1987.
Cover of the invitation, Gallery Hummel: Gerald Obersteiner
CHARACTER – WRITING, 3 October–22 November 1986.
Cover of the invitation, Gallery Hummel: 1996
Erich Mallina, 7 May–28 June 1986.
Cover of the invitation, Gallery Hummel: Erich Mallina
Signs of Silence, opening 14 February 1986.
Cover of the invitation, Gallery Hummel: Rudolf Goessl, Triptychon, 1970
1985
Discontents, 88 November–21 December 1985.
Cover of the invitation, Gallery Hummel: Kark Kratzl, Direkt-Xerox, self portrait
World Point Vienna, Exhibition of an Exhibition, 1985.
Geometric Forms, 1985.
Josef Hoffmann, Sopra la Porta, around 1920. Photo: Heidi Harsieber
Kupelwieser / West, 1985.
Cover of the invitation, Gallery Hummel: Kupelwieser West, 1985
1984
Furniture – Art, 31 November–26 January 1985.
Cover of the invitation, Gallery Hummel: Hermann Czech, Draft for the fauteuil Schwarzenberg, 1983
Male Heads, 5 October–27 October 1984.
Cover of the invitation, Gallery Hummel: Photoarchive Heinz Cibulka, depicted: Hermann Nitschs 80. Action in Prinzendorf, 1984
Resolution, 30 May–30 June 1984.
Cover of the invitation, Gallery Hummel: Berthold Löffler, Draft for wallpaper, 1912/14
Art and Photography, 23 March–19 May 1984.
Cover of the invitation, Gallery Hummel: Arnulf Rainer, Wiener, 1969
OTTO MUEHL, 20 January–3 March 1984.
Cover of the invitation, Gallery Hummel: Otto Muehl, Konrad Adenauer, 1968, from the series Persönlichkeiten 67
1983
Graphic, 3 December 1983–14 January 1984.
Cover of the invitation, Gallery Hummel: F. von Zülow, 1914
Sculpture, Painting – Religion, 13 October–12 November 1983.
Cover of the invitation, Gallery Hummel: Arnulf Rainer, S. Katharina, 1983
Old and New Sculpture, 1 June–2 July 1983.
Cover of the invitation, Gallery Hummel: Rodin, dance move, 1910
Female Portrait, 13 April–28 May 1983.
Cover of the invitation, Gallery Hummel: Andy Warhol, Jacqueline Kennedy III FS II15, 1966
Evelyne Egerer, spring 1983.
Cover of the invitation, Gallery Hummel: Evelyne Egerer, Untitled, 1983
FRANZ WEST, Sculpture, Video and Collages by Franz West, 2–27 February 1983.
Cover of the invitation, Gallery Hummel: Friedl Bondy, Franz West
1982
The Pathos in Modernity, 4 December 1982–29 January 1983.
An associative approach to tendencies of the "Neue Malerei".
Cover of the invitation, Gallery Hummel: M. Oppenheimer, Flagellation, 1913
OBJECT and SCULPTURE, autumn 1982. Environment Jungfrau, J. Beuys.
Mural Painting, 5 March–29 April 1982.
Cover of the invitation, Gallery Hummel: 1982
1981
The Dream, 4 December 1981–20 January 1982.
Cover of the invitation, Gallery Hummel: 1981
Padhi Frieberger, 4–28 November 1981.
Cover of the invitation, Gallery Hummel: 1981
Informal Sculpture, autumn 1981.
Cover of the invitation, Gallery Hummel: 1981
Grünewald / Rainer, autumn 1981.
Cover of the invitation, Gallery Hummel: Arnulf Rainer / Grünewald
VALLOTTON and Viennese Graphics at the turn of the century, 15 May–27 June 1981.
Cover of the invitation, Gallery Hummel: Félix Vallotton
1980
Materialbild, Collage – Assamblage – Montage, 3 November 1980–28 January 1981.